Friday, 2 July 2021

Planning- Inspiration

 Things that have inspired my music video 

Other music videos: 


White Ferrari - Frank Ocean 

https://youtu.be/K9AtF6lKsnU

I felt inspired when watching this video, it entails various scenes also shot in London, and various dark locations with this recurring theme of 'artificial' light and naturalistic shots, the 2 main characters appear to be in love and we see a staggered approach to how their love pans out; I liked this concept of not conforming to norms, there is little chronological order yet the concept still remains clear and the realistic imagery incapsulates exactly what I plan to capture when I start filming my music video. Also, not only just the visuals but the song is also by the same artist, therefore the tempo and editing is similar to what I am basing mine on. 


Ivy - Frank Ocean 

https://youtu.be/_Sw8INyyvfg

In keeping with the theme of frank ocean music video vibes, Ivy also entails a naturalistic mise en scene which I intend to replicate; it also holds a jumbled up order that keeps a clear structure and also shows how environments change when we are in the presence of those we love. 


Images:









I felt particularly intrigued by these 2 images, both can be found within my public Pinterest board that is dedicated to my music video (link : https://pin.it/1Z7OsMq) 


Both images, in my opinion capture these small parts of growing up, which will be specific to my 16-25 age audience) 

I like these almost dark and grunge aesthetics for the darker sections of the video as I feel capturing events can only be relayed to the audience if the environment also represents what I am trying to imply, for example if I wanted to show a darker mood I may chose a scene such as one in this image.





When looking at the lighter sections of music video I feel these images show what I intend to film, we can clearly see the stressful side of growing up, hence the array of work on the table, but this use of natural sunlight and angles provides a much happier mise en scene and this, I feel, is showing how life's problems do not just melt away when we are 'in love' but life can become brighter and more bearable, which is exactly the message I am trying to portray. 

Planning -Nights brief











Tuesday, 29 June 2021

Planning- Lyric run down

 Nights - Frank Ocean, lyric analysis 


Instrumental (quick panning of Eve and Scarlett's face with projector image) 

Round your city, round the clock (opening scene, lift doors opening to signal start, walking out to signal 'round')

Everybody needs you (Pan over London view (dark setting) to symbol this weight of 'everybody')
No, you can't make everybody equal (E setting stuff down on train looking tired, dark, train transition)  
Instrumental (glitching, distorted pan of S and E walking through busy London streets (separate)) 
Although you got beaucoup family (following S around everyday life) 
You don't even got nobody bein' honest with you (reflection of S in train, lonely people in LDN) 
Breathe 'til I evaporated (attempt zoom in transition to Eve lip synching on projector) 
My whole body see through (S standing in busy crows of people walking distort with Eve's video) 
Transportation, handmade (train leaving with S on it) 
And I know it better than most people (flickered shots of E + S and just S)
I don't trust 'em anyways (S leaving train) 
You can't break the law with them (flicker of S alone and S + E happy) 
Get some gushy, have a calm night (up to 'gushy' is sun, onwards is a busy night with city lights) 
Shooters killin' left and right (S goes on laptop to scroll through news 'shooters killing' intertextual) 
Workin' through your worst night (S on laptop in dark room working or on anywhere 'work related')  
Instrumental (flicker busy LDN city) 
If I get my money right 
You know I won't need you
And I tell you, (bitch) (Image of S + E happy, zoom into image transition) 
I hope the sack is full up (image becomes reality)
I'm f#ckin', no, I'm f#cked up (light environment E + S happy) 
Spend it when I get that (picnic)
I ain't tryna keep you (light bed)
Can't keep up a conversation (in clear deep convo S + E) 
Can't nobody reach you (E reach out to S, brush cheek) 
Why your eyes well up? (E now in the mirror sad, 'eyes welling up' without S)
Did you call me from a séance? (E distant in a group setting) 
You are from my past life (flicker or S + E singing this lyric, side on) 
Hope you're doin' well, bruh (flicker of S + E in same environment) 
I been out here head first (E flopping into bed, twist transition)
Always like the head first (S now being with E) 
Signal comin' in and out (S and E laughing happy) 
Hope you're doin' well, bruh (flicker alone E and S + E in bed) 
Everybody needs you (E lyric, projector) 
Everybody needs you (S lyric, projector) 
Ooh, nani nani (Eve walking) 
This feel like a quaalude (Scarlett walking)  
No sleep in my body (awake in bed looking at polaroid pics)  
Ain't no b#tch in my body 
New beginning's, ah
New beginning's, wake up akh
The sun's goin' down (sunset)
Time to start your day, bruh (work laptop S)
Can't keep bein' laid off
Know you need the money if you gon' survive
The every night sh#t
Every day sh#t
Droppin' baby off at home before my night shift
You know I can't hear none of that spend the night sh#t
That kumbaya sh#t
Wanna see nirvana, but don't wanna die yet
Wanna feel that na na though, could you come by?
Fuck with me after my shift
Know them boys wanna see me broke down and sh#t
Bummed out and shit, stressed out and sh#t
That's every day sh#t
Shut the f#ck up, I don't want your conversation
Rollin' marijuana, that's a cheap vacation

My every day shit, every night shit, my every day shit
(Every night shit, night shit, night shit, night shit)
https://youtu.be/XaN9PtE-dII - link to clean version of nights (cut off point at 2:39)